杭州·LANDER电竞公司办公室

公司：	郦文曦建筑事务所	Type：	建筑 \| 室内
Area：	中国	Label：	办公室

【背景】Background

该项目位于中国杭州下沙区新加坡科技园内，标准层面积1200sqm. 是LANDER电竞文化公司的新办公室，也是主持建筑师郦文曦在早稻田大学攻读博士期间的作品。

The project is located in the Singapore Science Park in Xiasha district of Hangzhou, China with a standard floor area of 1200 sqm, which is the new office of LANDER electric gaming cultural company. This is the work of Architect LI Wenxi when he study as a Ph.D. candidate in Waseda University, Japan.

【问题】Question

平面呈长条形，如何在宽约25米，长50米的空间中塑造出等待、交流、休憩、工作四种连续但是气氛截然不同的空间，成为开始设计时首先面对的问题。

The surface is long strip-shaped, how to create the space with four consecutive styles of waiting, communication, having rests and working but totally different atmosphere from the space with width of 25 meters and length of 50 meters becomes the first problem when beginning to design.

【段落】Paragraph

启发我们的是长卷中国画中对于空间段落的处理。

What enlightens us is the processing of space paragraph in Chinese traditional scroll paintings.

北京故宫本《韩熙载夜宴图》分五个片断，分别为听乐、观舞、休息、清吹、送别，画面中不同的时空之间以榻、屏、案等家具分割，每段中都出现的韩熙载作为叙事的主角，或卧谈或打鼓或挥手，其行为都与之发生了密切的关系。家具作为行为的重要载体，在叙事中发挥着情节分段、行为暗示等作用。

“Han Xizai Evening Banquet” of the imperial palace in Beijing is divided into five paragraphs, which are respectively music, dance, relaxation, play and farewell. Different spaces in the paintings are divided with the furniture such as couches, screens and desks, with Han Xizai who appears in every paragraph as the protagonist of the narration, lying and talking, or playing drums or waving hands, which is closely related to his behavior. As the important carrier of behavior, furniture plays an important role of plot segmentation, behavior suggestions in narrations.

△ 韩熙载夜宴图对于空间片段的分割

△ 剖立面

【转译】Translation

基于对绘画要素空间转译的兴趣，我们在不同需求的空间之间设计了四件异尺度的家具，他们既分割了空间，又起到承载功能的作用。

Based on the interests in the translation of paintings element space, we have designed four pieces of different scale furniture between the spaces with different demands, which not only divides the space but also bears the function.

△ 转译

△ 横向轴测

△ 轴测

△ 模型

1.曲席 Cambered seat

进门之后一架曲面坐具成为叙事的开始，我们不想让等候成为枯燥的端坐，所以为白色沙发增添了曲面的承托，让坐这一姿态呈现多种可能性。

The cambered seat becomes the start of narration after entering the door, we don’t want to make waiting time boring so as to increase the support of cambered surface for the white sofa, which presents various possibilities for the posture of sitting.

2.众榻 couch

为交流和休息而设计的台阶形空间，不为沟通上下层，只为提供一个可以交谈甚至平躺的多人使用的类似于榻的空间。

The step shaped space is designed for communication and relaxation, not for the communication between the upper and lower layers but just to provide the space which is similar to the bed for talking and even lying by multiple people.

3.长案long table

为茶水间设计的8米长桌是叙事高潮的中不起眼的烘托物，却是公司小伙伴茶余饭后休息的必到处。

The 8 meter long table designed for the tea room is the humble decoration in the narrative climax, and also the place where employees must arrive for relaxation.

4.移屏screens

三面可以移动的白色墙体，划分出大空间内设计部、游戏部、市场部三个部门，随着界面的推移，各部门之间也适时的联系与分隔。

Three white moving walls divide the big space into three departments of design department, gaming department and marketing department, with the moving of the interface, each department could contact and separate timely.

【雨山】rain hill

大面积玻璃砖的运用，使空间变得迷离，让人仿佛置身雨后空山之中，光线透过界面变得柔和。以此种暧昧的方式分隔空间是为了弱化实墙的截然分隔，增加行走其间的乐趣。

The use of large area glass bricks makes the space blurred, it seems that people are on the hills after raining with the soft light coming through the interfaces. The ambiguous way of dividing space is to weaken the separation of dead walls and increase the joy when walking inside.

【后记】postscript

这是一次关于建筑学基本问题--分隔的设计实践，将传统绘画语言空间化是有趣且富有挑战的。

This is a design practice about the basic problem of architecture-division. The specialization of traditional painting language is interesting and full of challenges.